This was the official report...
Please know that we will reach out in the coming days to share how we can all honor Ms. Wallace.
Well now that finally there has been an arrest in the now 27 year old cold case of the murder of rap megastar Tupac Shakur. The person arrested as we know is Keefe D who confessed to being part of the hit and he said he handed the weapon used in the murder to his cousin Orlando Anderson. But were they paid to have pac killed? Now the claims is that P. Diddy paid for the NYC 94 hit on PAC and that money he paid was why Keefe D and his crew ended up executing PAC in 1996 after the initial attempt on his life didn't go as planned and PAC survived the 94 attempt on his life.
Now it's being said a possible copy of the check provided by P. Diddy might have leaked online? Well let's look at this video below addressing this matter further in a way that well is pretty damning on Diddy. Personally I feel Sean Combs known as Diddy had an involvement in both Tupac & Biggies murders and the shooter was Orlando Anderson and his people from the crip gang sect he belonged too. Orlando Anderson was also killed months after Tupac died. Now I've thought this since the late 90's but not until Keefe D came forward did it all start to unravel.
This video is very interesting and revealing on what could very well be 100% correct in how it ties Combs to the shootings, and well I think it's time justice comes for the BADBOY executive who indeed belongs investigated and if found guilty should be sent ironically to DEATH ROW for his crimes on both icons losing their lives. I've hated Sean Combs since I first laid eyes on him as he looks like a lying snake in my opinion.
Again if this is proven he belongs rotting in prison on Death Row...
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It is unclear if Krayzie Bone's recent hospitalization is related to his condition, though member Layzie Bone did ask for prayers on Tuesday and said an update would be forthcoming.
Well itâs like pac said âThey talk shit when Iâm gone cause they fear me in the physical form⌠Iâm Troublesome.â Now More than 25 years later which is as long as 2pac lived, Nas and Tupac were entwined in a short-lived hip-hop beef which blew up due to the 2PAC & B.i.G Beef. It began in 1996, when Nas released his second album, It Was Written. It featured âThe Message,â a track on which Tupac believed he was dissed. Tupac later released âAgainst All Odds,â with his own shots at Nas. But before they patched things up, Tupac was tragically killed in a shooting.
Soy 25 years after their beef came to an end, Vibe reports that an unreleased record by Nas has leaked, and it features him taking strong shots at the late rapper. His attacks arrive halfway through the songâs first verse. âFrom tube-socks in Timbs to blue rocks and Benz / Who got the ends, the type of n***a 2Pac pretends,â Nas raps. âTo all n****s who shine, guess who got revenge / I wonât showboat, my flow choke you.â This marks the first time fans hear Nas directly, unambiguously diss Tupac on a record.
Last summer, Nas spoke about the moment Tupac confronted him about the alleged (though not confirmed) diss on âThe Messageâ during an interview on Ebro In The Morning. Nas explained that he thought I was dissing him on the song âThe Message,â and I heard he was dissing me at clubs,â the rapper revealed. âHe was like âYo Nas, we brothers, man. We not supposed to go through this.â And Iâm like, thatâs what Iâm saying.â He added, âWe had a plan to squash it in Vegas. So I was out there when he was in the hospital, praying for him to come through. Rest in peace.â
While the lyrics are clever it just shows that NAS didnât mean anything said in that and it was all rhymes because he quickly was able to end their feud, and was at the hospital as 2Pac passed in 1996.
In his reply to NAS Pac has this track which was recorded but never released, and itâs part of the music still in the vault from the recordings Tupac has that well have yet to be on an official cd release. This track is fire, and I could see with the right production it could be mixed into at least 2 tracks with other rappers banging on it to fill out a new Tupac cd. Perhaps Tha Outlawz might want to get this on their future cds? OR maybe Amaru Records will put that idea on a future pac cd who knows.
This news comes as shocking as any, and sad as you can imagine. I remember as a kid watching them on the film âNothing but Troubleâ and loved the song in that movie so much I became an instant fan⌠This lead to my following another artist who was in the crew with them, and you might know this guys name he was called umâŚâŚ. Oh yea! Tupac Shakur! The thing is without Digital Underground I canât say we would have met Tupac when we did, and how we did, and he would have gone to become the icon, and face of a generation for minorities in America.
Now while that song is dope Digital Underground will always be best known for this! The Humpty Dance! Letâs be real this is an iconic gimmick. Shock G played both himself, and the iconic âHumpty Humpâ and this song here is one of hip hopâs all time classic tracks.
As âRackadelicâ he illustrated album covers and provided art direction; as the âPiano Manâ he contributed keyboard tracks and music production. His main persona âShock Gâ utilized a more natural voice, while he altered his voice to become âHumpty Hump,â an iconic character with an exaggerated buffoon persona, colorful clothes, and a Groucho glasses-and-nose disguise. He used a nasal voice for the character Humpty. At most public appearances, Jacobs would show up as one person or the other, but at live shows and video shoots he would use a stand-in or camera tricks to maintain the illusion. A fictional biography was constructed for Humpty, the story being that Edward Ellington Humphrey III, former lead singer of âSmooth Eddie and the Humpers,â had become a rapper after burning his nose in a kitchen accident with a deep-fryer (the story was even told by Casey Kasem himself on his then countdown show Caseyâs Top 40). Jacobs also sometimes performed as other characters including MC Blowfish, Icey-Michael Boston, The Computer Woman, ButtaFly, and Peanut Hakeem.
Shock Gâs TV appearances include Showtime at the Apollo in 1992, several The Arsenio Hall Show performances between 1990 and 1994, and several live MTV performances, including MTV Spring Break 1990 in Daytona Beach, Yo MTV Raps (performing live with Ed Lover and Doctor DrĂŠ) in 1991, Club MTV Live (with Downtown Julie Brown) in 1992, and MTV Jams in 1994. Most of these consisted of music performances with either Digital Underground or 2Pac, however, on an episode of the 1991 sitcom Drexellâs Class Jacobs played a small acting role as a furnace repairman. Within the showâs story, the title character, Otis Drexell, insists that the furnace repairman looks exactly like Humpty Hump, but both himself and his coworker (Jason Priestley), have never heard of any such hip-hop artist, especially not one with such a ridiculous name. The episode ends with a live performance of Digital Undergroundâs âNo Nose Jobâ on a cruise ship full of Sports Illustrated swimsuit models, which is presented as a scene from one of Mr. Drexellâs dreams.
With his Digital Underground band members, Jacobs appeared in the Dan Aykroyd directed comedy Nothing but Trouble appearing as both Shock-G and Humpty Hump. The group makes a cameo music performance, as well as play a small character role in the film as themselves. Since then, Jacobs has appeared in a handful of music documentaries, including Thug Angel: Life of an Outlaw (2000) about Tupac Shakur, and Parliament Funkadelic: One Nation Under a Groove (1996) about George Clinton & P-Funk, both of which received heavy TV rotation, and both of which relied heavily on Jacobsâ commentary.
On June 24, 2011, Shock G was featured on an episode of the podcast âYou Had To Be Thereâ with comedians Nikki Glaser and Sara Schaefer.
In addition to his work with Digital Underground, Shock G found moderate success as a solo artist and music producer. In 1993, Shock G produced Tupac Shakurâs breakthrough platinum single âI Get Aroundâ as well as guest starred on the single and music video, and went on to produce Tupacâs âSo Many Tearsâ from his multi-platinum 1995 album Me Against the World. Tupacâs first published work was while still a member of Digital Underground when he appeared on the 1991 song and video âSame Songâ, which also appeared in the Chevy Chase, Dan Aykroyd and Demi Moore film Nothing but Trouble. Shock co-produced Tupacâs debut album 2Pacalypse Now. Shock G appeared as a producer and guest artist on fellow Oakland-based rap group The Luniz platinum debut release Operation Stackola in 1995, also appearing as a guest emcee in the âI Got 5 on Itâ Bay Ballers Remix and video.
In 1996 the Wayans brothersâ film Donât Be a Menace to South Central While Drinking Your Juice in the Hood featured the Shock-G song âWe Got Moreâ. The song, which featured Oakland rappers Luniz was used for three different scenes in the film, and is featured in two different places on the soundtrack, making it the only song to appear twice on one soundtrack. In 1998, Prince included the Shock G produced âLove Signâ on his triple-CD Crystal Ball album. Shock G has toured and performed on stage with George Clinton and P-Funk including a guest performance with Clinton at Woodstock 1999.
In 2003, Shock G produced the single âRisky Businessâ for Los Angeles underground artist Murs, and also appeared in the video, as himself and as Humpty Hump. Murs performed this song live with Shock G at the Paid Dues festival, and also featured him as his stage DJ/music conductor on a 2-month extensive Definitive Jux label U.S. and Canada tour. On January 20, 2009, Shock Gâs single âCherry Flavaâd Emailâ was renamed and released as a special edition called âCherry Flavaâd Electionâ to commemorate the inauguration of President Barack Obama.