The Beach Boys will always be an iconic group in American pop culture, having seem them live twice in my life in the 90's I can tell you they were awesome. I've been a big fan my whole life as the music they made was just fun and nothing offensive. The way music should be right? Now we have the sane news that the visionary lead whose genius for melody, arrangements and wide-eyed self-expression inspired "Good Vibrations," "California Girls" and other summertime anthems and made him one of the world's most influential recording artists, has left us, his family said in a statement posted to his website and social media accounts.
"It is indeed hard to talk about the influence of Brian Wilson just on music because he is a shaper of American myth and American culture," Joe Levy, a contributor to Rolling Stone and Billboard, told CBS News following the news of Wilson's death. "Our popular ideas about California a land of surf and sun many of them come from Beach Boys songs." The Beach Boys rank among the most popular groups of the rock era, with more than 30 singles in the Top 40 and worldwide sales of more than 100 million. The 1966 album "Pet Sounds" was voted No. 2 in a 2003 Rolling Stone list of the best 500 albums, losing out, as Wilson had done before, to the Beatles' "Sgt. Pepper's Lonely Hearts Club Band."
Wilson moved and fascinated fans and musicians long after he stopped having hits. In his later years, Wilson and a devoted entourage of younger musicians performed "Pet Sounds" and his restored opus, "Smile," before worshipful crowds in concert halls. Meanwhile, The Go-Go's, Lindsey Buckingham, Animal Collective and Janelle Monáe were among a wide range of artists who emulated him, whether as a master of crafting pop music or as a pioneer of pulling it apart. The Beach Boys' music was like an ongoing party, with Wilson as host and wallflower.
Decades after its first release, a Beach Boys song can still conjure instant summer the wake-up guitar riff that opens "Surfin' USA"; the melting vocals of "Don't Worry Baby"; the chants of "fun, fun, fun" or "good, good, GOOD, good vibrations"; the behind-the-wheel chorus "'Round, 'round, get around, I get around." Beach Boys songs have endured from turntables and transistor radios to boom boxes and iPhones, or any device that could lay on a beach towel or be placed upright in the sand.
The band's innocent appeal survived the group's increasingly troubled backstory, whether Brian's many personal trials, the feuds and lawsuits among band members or the alcoholism of Dennis Wilson, who drowned in 1983. Brian Wilson's ambition raised the Beach Boys beyond the pleasures of their early hits and into a world transcendent, eccentric and destructive. They seemed to live out every fantasy, and many nightmares, of the California myth they helped create.
They wanted to call themselves the Pendletones, in honor of a popular flannel shirt they wore in early publicity photos. But when they first saw the pressings for "Surfin,'" they discovered the record label had tagged them "The Beach Boys." Other decisions were handled by their father, a musician of some frustration who hired himself as manager and holy terror. By mid-decade, Murry Wilson had been displaced and Brian, who had been running the band's recording sessions almost from the start, was in charge, making the Beach Boys the rare group of the time to work without an outside producer.
Their music echoed private differences. Wilson often contrasted his own bright falsetto with Love's nasal, deadpan tenor. The extroverted Love was out front on the fast songs, but when it was time for a slow one, Brian took over. "The Warmth of the Sun" was a song of despair and consolation that Wilson alleged to some skepticism he wrote the morning after President John F. Kennedy was assassinated. "Don't Worry Baby," a ballad equally intoxicating and heartbreaking, was a leading man's confession of doubt and dependence, an early sign of Brian's crippling anxieties.
Stress and exhaustion led to a breakdown in 1964 and his retirement from touring, his place soon filled by Bruce Johnston, who remained with the group for decades. Wilson was an admirer of Phil Spector's "Wall of Sound" productions and emulated him on Beach Boys tracks, adding sleigh bells to "Dance, Dance, Dance" or arranging a mini-theme park of guitar, horns, percussion and organ as the overture to "California Girls." By the mid-1960s, the Beach Boys were being held up as the country's answer to the Beatles, a friendly game embraced by each group, transporting pop music to the level of "art" and leaving Wilson a broken man.
Wilson worked for months on what became "Pet Sounds," and months on the single "Good Vibrations." He hired an outside lyricist, Tony Asher, and used various studios, with dozens of musicians and instruments ranging from violins to bongos to the harpsichord. The air seemed to cool on some tracks and the mood turn reflective, autumnal. From "I Know There's an Answer" to "You Still Believe in Me," many of the songs were ballads, reveries, brushstrokes of melody, culminating in the sonic wonders of "Good Vibrations," a psychedelic montage that at times sounded as if recorded in outer space.
But the album didn't chart as highly as previous Beach Boys releases and was treated indifferently by the U.S. record label, Capitol. The Beatles, meanwhile, were absorbing lessons from the Beach Boys and teaching some in return. "Revolver" and "Sgt. Pepper," the Beatles' next two albums, drew upon the Beach Boys' vocal tapestries and melodic bass lines and even upon the animal sounds from the title track of "Pet Sounds." The Beatles' epic "A Day in the Life" reconfirmed the British band as kings of the pop world and "Sgt. Pepper" as the album to beat.
All eyes turned to Wilson and his intended masterpiece a "teenage symphony to God" he called "Smile." It was a whimsical cycle of songs on nature and American folklore written with lyricist Van Dyke Parks. The production bordered on method acting; for a song about fire, Wilson wore a fire helmet in the studio. The other Beach Boys were confused, and strained to work with him. A shaken Wilson delayed "Smile," then canceled it.
Addicted to drugs and psychologically helpless, sometimes idling in a sandbox he had built in his living room, Wilson didn't fully produce another Beach Boys record for years. Their biggest hit of the 1970s was a greatest hits album, "Endless Summer," that also helped reestablish them as popular concert performers. Although well enough in the 21st century to miraculously finish "Smile" and tour and record again, Wilson had been diagnosed with schizoaffective disorder and baffled interviewers with brief and disjointed answers. Among the stranger episodes of Wilson's life was his relationship with Dr. Eugene Landy, a psychotherapist accused of holding a Svengali-like power over him.
In 1992, Brian Wilson eventually won a $10 million out-of-court settlement for lost songwriting royalties. But that victory and his 1991 autobiography, "Wouldn't It Be Nice: My Own Story," set off other lawsuits that tore apart the musical family. Carl Wilson and other relatives believed the book was essentially Landy's version of Brian's life and questioned whether Brian had even read it. Their mother, Audree Wilson, unsuccessfully sued publisher HarperCollins because the book said she passively watched as her husband beat Brian as a child. Love successfully sued Brian Wilson, saying he was unfairly deprived of royalties after contributing lyrics to dozens of songs. He would eventually gain ownership of the band's name. The Beach Boys still released an occasional hit single: "Kokomo," made without Wilson, hit No. 1 in 1988.
Wilson won two competitive Grammys, for the solo instrumental "Mrs. O'Leary's Cow" and for "The Smile Sessions" box set. Otherwise, his honors ranged from a Grammy lifetime achievement prize to a tribute at the Kennedy Center to induction into the Songwriters Hall of Fame.
In 2018, he returned to his old high school in Hawthorne and witnessed the literal rewriting of his past: The principal erased an "F" he had been given in music and awarded him an "A." Until the next show in Heaven we all wish him safe passage and will always be rocking out to his music. Losing the greats hurts, and this one is no different.
May he rest in eternal peace catching the waves on the other side. Indeed GOOD VIBRATIONS HAD!